Written by Sabrina Ma / Wu Ning
Thursday, 12 November 2009 08:32

Among the films that hit Berlin this summer, two of them received a great deal of attention: Quentin Tarantino's fetishist, furious and fun-addicted Nazi-killing Inglorious Bastards and Lars von Trier's eerie, disturbing and sexually explicit Antichrist. But as these two attention-grabbers attracted slews of people, a German production was also running in theatres, its modest poster conspicuously different from the pompous and menacing advertisements that accompany the former films, though the story it tells is just as compelling.
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Written by Jamie Cogar / Lin Lin
Monday, 12 October 2009 15:16
Claire Denis’ 35 Shots of Rum opens with pensive shots of slow moving trains. We see them glide along sunlit rails and disappear beneath dark tunnels – only to appear again moments later to the daylight. There is a rhythm of light and dark, actively driving and then passively watching. In this rhythm, we are introduced to Lionel (Alex Descas), a working-class train conductor and his college-aged daughter, Joséphine (Mati Diop), as Lionel’s workday ends and he arrives home for dinner.
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Written by Sabrina Ma
Tuesday, 08 September 2009 15:55
Chelsea's pair of dark shades looks perfect with her hip-hugging skirt and sleek top. The pink of her lip-gloss glistens the way her silkily straight hair shines. Not only is she sexy and beautiful, she is refined and graceful. Look how she listens, talks, chews her food. She would be the perfect girlfriend for anyone. And for anyone willing to pay, she is.
Chelsea (who sometimes goes by Christine) is the high-end NYC escort in Steven Soderbergh's The Girlfriend Experience, the story of a classy prostitute who offers the city's most moneyed individuals both physical pleasure and intimacy (or pretensions thereof). Soderbergh has dealt with the subject of sex before, most notably in his explosive and in-your-face Sex, Lies and Videotape (1989), but this time he takes a slower, more methodical approach and in doing so fashions something even more sensual.
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Written by Zhang Qichen
Sunday, 19 April 2009 20:12
 In Downloading Nancy, which premiered at the Sundance Festival this year, Maria Bello plays the angst-ridden middle-aged protagonist whose depression spirals out of control causing her to proposition a stranger (played by Jason Patric) to take drastic steps to free her from her suffocating and lonely marriage to Albert (played by Rufus Sewell). Director Johan Renck, a Swedish filmmaker well known for his commercial success in music videos and H&M advertisements, uses a handheld camera, dim fluorescent lighting and other cinematic tricks to drive home the desperation and loneliness of Nancy’s world. Her manic-depressive reactions and lack of emotional stability, which cause her to both cut herself in her therapist’s office and ultimately meet with a sexual deviant via the internet, act as reminders to the fragility of the human psyche and not much else.
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Written by Lauren Fraiz
Sunday, 19 April 2009 19:52
 After dedicating himself to painting for 17 years, renowned polish director Jerzy Skolimowski returns to filmmaking with his Four nights with Anna, a story of love – but of the platonic, awkward and creepy kind. With its one-man perspective, the film follows Leon Okrasa (Artur Steranko) a quiet and socially impaired crematory worker and the unfolding of his secret obsessive crush on nurse Anna (Kinga Preis), who lives right across from his house and whose window gives him – and us – a perfect opportunity to spy from afar and to witness what seems to be a much more fulfilling life; it is full of the exact color and liveliness that Leon’s pitiful, dark existence is lacking.
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Written by Constantine
Sunday, 19 April 2009 19:45
What is the dollar value of unconditional love, and what lengths you would go through in order to protect it are the questions central to Coraline, the new movie by acclaimed animator Harry Selick. Based on a short story by the outstanding children’s author Neil Gaiman, Coraline is a dark and captivating tale of adolescent frustration brought to life in splendidly detailed stop-motion animation. Selick, who is most famous for directing Tim Burton’s The Nightmare Before Christmas, again mines the space between children’s and non-children’s entertainment, magically balancing the films, foreboding, playful and optimistic elements.
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